For newcomers, three more items from the archives.
A discussion with Stephen Hicks, author of Explaining Postmodernism.
Writing in Innovations of Antiquity, Ralph Hexter and Daniel Selden dismissed “transparent prose” as “the approved mode of expression for the society and values of the newly empowered middle class.” In the Journal of Aesthetics and Art Criticism, Mas’ud Zavarzadeh denounced “unproblematic prose and clarity of presentation” as “the conceptual tools of conservatism.” The rejection of transparency as “conservative” is particularly odd, since transparency makes a claim amenable to broad critical enquiry, and thus public correction. Without transparency, what do we have? A private language shared only by likeminded peers in which one is free to assert largely unopposed? [...] Presumably, if you prefer arguments that are comprehensible and open to scrutiny, this signals some reactionary tendency and deep moral failing. On the other hand, if you sneer at such bourgeois trifles, you’re radical, clever and very, very sexy.
The Dalai Lama gets it wrong. Cultural equivalence debunked at length.
Rosie O’Donnell was happy to assert that, “radical Christianity is just as threatening as radical Islam in a country like America.” But while red-faced evangelists may say, for instance, that gay people are wicked, damned to hellfire, etc, I don’t know of any internationally renowned Christian leaders who are calling for the imprisonment and killing of gay people. Unlike the supposedly “moderate” Grand Ayatollah Ali al-Sistani, who insists that gay men and lesbians should be “killed in the worst manner possible.” Not condemned, ‘corrected,’ prayed for or pitied, or any of the usual nonsense spouted by Jerry Falwell, Pat Robertson et al; but murdered - as brutally as possible.
Professor Sharra Vostral exposes the humble tampon as an “artefact of control.”
Note the professor’s confidence as she rushes to the podium on Mount Grievance. She is righteous and wise, and apparently telepathic. Non-literal uses of the term “patchwork” must assume whatever sequence of ideas suits Professor Vostral’s worldview. Used metaphorically, the word “patchwork” must signal disdain for quilt making, quilt makers and, by implication, an entire gender too. There can be no doubt about it. “Patchwork” simply is a “gendered insult” - one “based in derogatory understandings” of a “woman-based art form.” It’s “embedded,” apparently.
Excavate the greatest hits.