For newcomers, more items from the archives:
Living in Glasgow for a year is art, says taxpayer-funded artist who lives in Glasgow.
Writing in the Guardian, Liam Hainey rushes to defend Ms Harrison’s low-effort art project, denouncing “budget butchers” and asking his readers to “look at the bigger picture.” All while carefully ignoring anything that might trouble the assumptions of the freeloading arts community. Mr Hainey, a former Green councillor, dismisses the widespread mockery of Ms Harrison’s hustle as “predictable.” But he doesn’t seem to grasp that much of the mockery occurs because hustles of this type are themselves so predictable – that what we’re seeing, yet again, is a display of arrogant presumption, one that’s routine among a socially and politically narrow subsidy-seeking caste. And so Mr Hainey tells us, triumphantly, that the money isn’t in fact being wasted because it was already earmarked for art that would probably be unpopular and which nobody asked for.
Feminist “creative” Katherine Garcia attempts to justify her sub-optimal life choices. Things go badly wrong.
In financial terms, the lifetime return on an arts degree is very often negative and there’s something to be said for practicality, especially if your background is a modest one. Social mobility presupposes a certain realism, a pragmatism, and making choices accordingly – say, with regard to the costs and benefits of tertiary education, which is for most an expensive one-time opportunity. I’m inclined to suggest that getting into further debt for a grad school degree in Women and Gender Studies, as Ms Garcia did, is possibly not an ideal way to help one’s family economically, or indeed oneself.
Riyad A Shahjahan says we must “disrupt Eurocentric notions of time.” Because punctuality is racist and oppressive.
As the exact nature of Dr Shahjahan’s problem has been buried under rhetorical rubble, I’ll translate as best I can. You see, being expected to keep up with the pace of lessons and deliver course work on time can induce feelings of discomfort and inferiority in those less able and conscientious, thereby resulting in “exclusionary effects,” which, it turns out, are oppressive and unjust. However, armed with postcolonial theorising, and by stressing the mystical exoticness of people with browner skin, we shall set the people free from the “dominant culture of disembodiment” and the “temporal colonisation of our bodies” – i.e., expectations of punctuality, attentiveness and general competence. Yes, we must “contest the insertion of the body into the market.”
There’s more to poke at in the updated greatest hits. And tickling the tip jar makes my phone go ping. Which is nice.