davidthompson

A Handsome Volume

Readers may recall Phil Wolstenholme’s ongoing digital photography project Wide Area Network, in which Sheffield’s surrounding countryside is writ large in a series of enormous, eerily detailed prints. Aesthetes among you may be interested in Wolstenholme’s first book of photographic work, Networks, published by Heavy Everywhere. 92 colour plates in a deluxe hardcover volume.   

Advertise with Flies

To promote their literary works at the Frankfurt Book Fair, publishing company Eichborn deployed 200 flies, each attached temporarily to an ultra-light banner.

The banners, measuring just a few centimetres across, seem to be causing the beleaguered flies a bit of piloting trouble. The weight keeps the flies at a lower altitude and forces them to rest more often, which is a stroke of genius on the part of the marketing creatives: the flies end up at about eye level, and whenever a fly is forced to land and recover, the banner is clearly visible.

The results can be seen below.

Hm. A partial success, I think you’ll agree, but promising. Maybe if the project was scaled up dramatically. Say, with 100 million flies. Or maybe just one enormous mutant mega-fly, rumbling through the skies and casting its shadow across entire city blocks.

Royalty

Between 1988 and 1991, Daniel Laine visited the African continent, photographing its various tribal monarchs and assorted royalty.

    

Left to right: Oba Joseph Adekola Ogunoye, Olowo of Owo, Nigeria. Isienwenro James Iyoha Inneh, Ekegbian of Benin, Nigeria. El Hadji Mamadou Kabir Usman, Emir of Katsina, Nigeria. Salomon Igbinoghodua, Oba Erediauwa of Benin, Nigeria.

From the book African Kings: Portraits of a Disappearing Era. Via Coudal.  

Peeled and Juiced

Over at The Augean Stables, Richard Landes has some interesting commentary on my recent discussion with Stephen Hicks. Well worth reading.

Strange Omissions

I’ve previously noted the eagerness of some literary “theorists” to shoehorn Marxism into their first year reading lists with the expectation that students be “conversant with” Marx’s ideas and claims - if not those of his numerous critics - supposedly as an “exploration of theoretical issues in the study of literature.” Terry Eagleton, for instance, seems to believe that Hamlet, Heart of Darkness and Ariel are best read with Marx in mind, though the literary benefits aren’t immediately obvious to me. Nor is it obvious in literary terms why Eagleton would present students with a reading list that includes no fewer than six books about Marxism and its alleged merits: Tony Bennett’s Formalism and Marxism, Eagleton’s Marxism and Literary Criticism, Eagleton’s Ideology, Eagleton’s Criticism and Ideology: A Study in Marxist Literary Theory, Raymond Williams’ Marxism and Literature, and Leon Trotsky’s Literature and Revolution.

In their book One-Party Classroom David Horowitz and Jacob Laksin note a similar enthusiasm:

Consider, for instance, the “writing-intensive two-year course sequence” called “Intellectual Heritage” that [Temple University] requires all students to take. On the program’s web page professors post some thirty different sample exam and study questions under the title “Faculty Perspectives on Marx.” Every one, without exception, prompts students to explain what Marx said in the way one might explain the theories of Copernicus, whose theories have been confirmed by real world experiments. In contrast, all Marxist experiments in the real world have failed – in fact, they have caused the economic impoverishment of whole continents, man-made famines, and human suffering on an unprecedented scale – and yet not one of the professors contributing to the Intellectual Heritage guides bothers to note this historical fact.

In one sample guideline, a professor writes: “Marx presents an astute understanding and critique of capitalism. Is it convincing?” The question does not say, “Marx analyzed capitalism. Is his analysis convincing?” That would have been educational. Instead, the student is effectively told what to think: Marx wrote a wise critique of capitalism. Are you stupid enough to disagree with him? What if the student is not convinced and encounters that question on an exam? Since he has been forewarned that the professor thinks Marx is “astute,” will the student risk saying that Marx was catastrophically wrong, that his unfounded attacks on capitalism led to the creation of regimes that were among the most oppressive and destructive in human history, and that his professor is living in an intellectual Never-Never-Land? Or is he going to humor the professorial prejudice and maximize his chances of getting a decent grade? […]

The faculty guides to Marx on the Intellectual Heritage website fail in every respect to live up to the standards of basic academic enquiry. They offer no critical literature on Marx and Marxism, no writings by von Mises, Kolakowski, Sowell, Malia, Richard Pipes, or other scholarly critics of Marxism. Nor do they confront the connection between Marx’s ideas and the vastly destructive effect of Marxist societies, which murdered 100 million human beings and created unimaginable poverty on a continental scale.

Horowitz and Laksin’s book is well worth a read, if only to witness just how readily Marxist theorising has been grafted onto the study of comparative literature, rhetoric, communication studies, African-American studies, anthropology and journalism - very often by English graduates with no formal qualification in - or obvious grasp of - economics. Ploughing through these examples isn’t exactly an uplifting experience, in fact it’s quite depressing, not least because of the overtly question-begging nature of so many course outlines. The sense of gloom is made worse by the almost total indifference of administrators to systematic breaches of their own guidelines on bias and academic probity. Though many of the course descriptions and educators’ biographies do offer some amusement of the grimmest possible kind.

Related: A Cautionary Tale.

Postmodernism Unpeeled

A discussion with Stephen Hicks.

“In politicized forms, then, postmodernists will behave like the stereotypical unscrupulous lawyer trying to win the case: truth and justice aren’t the point; instead using any rhetorical tool or trick that works is the point. Sometimes contradictory lines of argument work. Sometimes your audience’s desire to belong to the in-group can be played upon. Sometimes appearing absolutely authoritative works to camouflage a weak case. Sometimes condescension works.”

Dr Stephen Hicks is Professor of Philosophy and Executive Director of the Centre for Ethics and Entrepreneurship at Rockford College, Illinois. He is co-editor with David Kelley of Readings for Logical Analysis (W. W. Norton, 1998), and has published in academic journals as well as The Wall Street Journal, The Baltimore Sun, and Reader's Digest. His book Explaining Postmodernism: Skepticism and Socialism from Rousseau to Foucault was published in 2004 by Scholargy Publishing and is now in its eighth printing. He is the author and narrator of a DVD documentary entitled Nietzsche and the Nazis, which was published in 2006 by Ockham’s Razor Publishing. 

DT: In an exchange with Ophelia Benson, I mentioned Explaining Postmodernism and suggested one of the book’s main themes is that postmodernism marks a crisis of faith and a retreat from reality among the academic left. Is that a fair, if crude, summary?

SH: It is striking that the major postmodernists - Michel Foucault, Jacques Derrida, Jean-François Lyotard, Richard Rorty - are of the far left politically. And it is striking that all four are Philosophy Ph.D.s who reached deeply skeptical conclusions about our ability to come to know reality. So one of my four theses about postmodernism is that it develops from a double crisis - a crisis within philosophy about knowledge and a crisis within left politics about socialism.

Fish, Fried

Professor Stanley Fish is often to be found on the wrong side of an argument. Formerly an avowed postmodernist and now just a professional tenured contrarian, Fish once told his students that theorising and deconstruction “relieves me of the obligation to be right… and demands only that I be interesting” – an endeavour in which he, like many of his peers, has all too often failed. As, for instance, when Fish rushed to defend Social Text from the ridicule of Alan Sokal. More recently, Professor Fish excused the ongoing creep of campus speech codes with the most glib and dismissive of arguments, airily untroubled by the practicalities of what he was defending.

Fish’s latest campaign targets Salman Rushdie and his criticism of the withdrawal by Random House of Sherry Jones’ novel about Muhammad’s child bride, Aisha.

Over at B&W, Ophelia Benson is none too pleased:

Stanley Fish is a smug bastard. This is not news, but he’s smugger than usual in his New York Times blog post on Rushdie and Spellberg and Jones. The first sentence is a staggerer.

Salman Rushdie, self-appointed poster boy for the First Amendment, is at it again.

That just irritates the bejesus out of me. Self-appointed? Poster boy? At it again? Excuse me? He could hardly have been less self-appointed - it was the Ayatollah and his murderous illegal bloodthirsty ‘fatwa’ that appointed Rushdie a supporter of free speech, not Rushdie. And Rushdie defends free speech in general, not the First Amendment in particular; how parochial of smug sneery Fish to conflate the two. And ‘poster boy’; that's just stupid as well as insultingly patronizing: Rushdie doesn’t swan around with a crutch, he makes arguments in support of free speech. And ‘at’ what again? ‘At’ saying that publishers shouldn’t give in to threats either from Islamists or from academics speaking for notional Islamists or ‘offended’ Muslims who in some distant subjunctive world might be ‘offended’ by a novel about Muhammad’s child ‘bride’? Now that’s ‘self-appointed’…

It gets better.

An example of Salman Rushdie “at it” can be found here.

Innards

Since 1996, Nick Veasey has been taking x-ray photographs of pretty much everything. From shoes, insects and kitchen appliances to enormous composite shots of Boeing 777s. 

A book of Veasey’s work, X-Ray, will be published in October. More. And. Related.

Pop-Up Deluxe

This is very clever. Marion Bataille’s ABC3D. Published in October.

You know, for kids. Via Infosthetics.

Uncommon Desire

Via Photoshop Disasters, I stumbled across a romance novel whose cover promises a little more than is delivered. Behold Christina Dodd’s historical yarn, Castles in the Air. From the blurb: What man would have her once he discovered her secret...?

Ms Dodd’s publishers have subsequently fashioned a corrected - and, alas, less intriguing - jacket.

A brief taste.