For newcomers, three items from the archives:
The Guardian’s Aisha Mirza bemoans the “psychic burden” of living among white people, which is worse than being mugged.
The more I think about it, the more this may exemplify a near-perfect Guardian article, the ideal to which all other Guardian columnists should aspire. It’s haughty and obnoxious, is ignorant of relevant subject matter, is frequently question-begging, and its imagined piety is premised on a rather obvious double standard. Specifically, Ms Mirza’s belief that people who leave London do so, secretly, because they don’t feel comfortable living among people with skin of a darker hue, which is racist and therefore bad, and her own simultaneous preference not to live among people whose skin is paler than hers, which is somehow not racist at all, and is in fact aired as the last word in righteousness.
Brace yourselves for some taxpayer-funded cultural improvement.
Those with a taste for even more daring and challenging work may prefer the theatrical stylings of Mr Ivo Dimchev, a “radical performer” acclaimed for his “gripping sensitivity” and whose performance piece I-ON “explores” the “provoking functionlessness” of various objects, before showing us “how to make contact with something that has no function.” Readers are advised that the aforementioned contact-making, which was performed as part of the 2011 Vienna International Dance Festival and is shown below, inevitably includes vigorous self-pleasure with what appears to be a wig.
In which socialists misremember a 1970s sitcom.
To seize on The Good Life as an affirmation of eco-noodling and a “non-greedy alternative” to modern life is unconvincing to say the least. The Goods only survive, and then just barely, because of their genuinely self-supporting neighbours – the use of Jerry’s car and chequebook being a running gag, along with convenient access to Margo’s social contacts and expensive possessions. And insofar as the series has a feel-good tone, it has little to do with championing ‘green’ lifestyles or “self-sufficiency.” It’s much more about the fact that, despite Tom and Barbara’s dramas and continual mooching, and despite Margo’s imperious snobbery, on which so much of the comedy hinges, the neighbours remain friends. If anything, the terribly bourgeois Margo and Jerry are the more plausible moral heroes, given all that they have to put up with and how often they, not Tom’s principles, save the day.
There’s more, should you want it, in the updated greatest hits.