Elsewhere (42)
Friday Ephemera

Meanwhile, in the Arts...

Simen Thoresen alerts us to the existence of Preparatio Mortis, a new work unveiled at the Vienna International Dance Festival and aimed at the discerning aesthete. Guided by Belgian artist and choreographer Jan Fabre, dancer Annabelle Chambon “tackles the still effective taboo ‘death’ and her body enter[s] into a transformation process,” while Bernard Foccroule elevates our minds with his “intensive” and “spherical” organ stylings. As will no doubt be obvious to everyone, Ms Chambon’s “assignment” is nothing less than “an attempt to reconcile life and death.”

The video above is of course a mere glimpse of the project’s artistic highlights. Happily, the full performance lasts for 50 minutes.

Update, with added nudity:

Also of interest to lovers of the physical arts:  Magdalena Chowaniec, Amanda Piña and Daniel Zimmermann perform Neuer Wiener Bioaktionismus. “Three young Viennese artists/dancers from Chile, Poland and Switzerland translate the actionist mystery into a vegetarian orgy in which dead carrots take the place of the massacred lamb. A portrait of our time.”

Update 2:

Okay, one more. I may have inadvertently saved the best ‘til last. Here’s Austrian artist and choreographer Doris Uhlich, whose “vigorous and critical” hour-long performance More Than Enough “takes ironic revenge on the standardisation of the body.” It’s a “bodily and textual discussion of flesh and opulence,” in which Uhlich “asks herself and her audience how the body can become a trademark and what this means.” This radical feat is achieved by reciting Baudelaire, throwing talcum powder around and making several phone calls: “I’m calling you because I’m fat...” Brace yourselves for the finale.

Avoid disappointment, people. Book those tickets now.