Friday Ephemera
The Pan Handle Strikes Back

Elsewhere (111)

Via TDK, Theodore Dalrymple on rhetorical leverage and ‘progressive’ self-flattery: 

Professor Lakoff uses the term ‘progressive’ freely. Now there is a framing metaphor if ever there was one. What person of goodwill could possibly be against progress, that is to say betterment of the human condition? So if you are a person in favour of progress – in short, a progressive – only the malevolent could disagree with you.

However, there is a rather large question begged here, namely ‘What is progress?’ There is rarely gain without loss, and loss can easily exceed gain. Human action has unintended and unforeseen consequences, sometimes beneficial, often not. Progress in society is not the same as progress in internet speeds… It is possible for reasonable people to disagree… Yet Professor Lakoff seems to use the term ‘progressive’ as if those he calls progressives brought about progress ex officio, as it were, merely by virtue of their self-designation. This is a form of magical thinking.

I’m reminded of the modesty of Mr George Monbiot, a man who also deploys the word ‘progressive’ as if it were a talisman, and who dismisses his political opponents as dullards struggling with “low intelligence” and racial phobias. 

BenSix on learning to be mute and befuddled: 

These posters and drawing hardly seem to be the stuff of Voltairian pamphlets. They do not renew the liberal flames in me. What should inspire one, though, is the response to them. It is alarming that our national media feels that it cannot publish a drawing of a cartoon man for fear of violent reprisals. If people are scared to show innocuous cartoons, how might they react to a novel that may provoke controversy, or to academic research that might inspire outrage? …If, indeed, Rory Bremner is scared to joke, or Grayson Perry to make art, how many commentators, novelists and scholars have allowed their thoughts to be repressed?

And Jonah Goldberg on hammers, sickles and not saying certain things: 

In its opening video for the Olympic Games, NBC’s producers drained the thesaurus of flattering terms devoid of moral content: “The empire that ascended to affirm a colossal footprint; the revolution that birthed one of modern history’s pivotal experiments. But if politics has long shaped our sense of who they are, it’s passion that endures.” To parse this infomercial treacle is to miss the point, for the whole idea is to luge by the truth on the frictionless skids of euphemism.

As usual, feel free to share your own links and snippets in the comments.