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Elsewhere (174)

Theodore Dalrymple on intellectual evasions: 

Sometimes the employment of a single word in common use gives away an entire worldview. There was just such a usage in the headline of a story in the Guardian late last month: “How the ‘Pompey Lads’ fell into the hands of Isis.” […] The word that implied a whole worldview was “fell.” According to the headline, the young men “fell” into the hands of Isis as an apple falls passively to the ground by gravitational force. The word suggests that it could have happened to anybody, this going to Syria via Turkey to join a movement that delights in decapitation and other such activities in the name of a religion — their religion. Joining Isis is like multiple sclerosis; it’s something that just happens to people. The word “fell” denies agency to the young men, as if they had no choice in the matter. They were victims of circumstance by virtue of their membership of a minority, for minorities are by definition victims without agency.

Mick Hartley quotes Anne Applebaum on the new titan of the British left: 

Jeremy Corbyn, would-be leader of the Labour party, is the latest in a long line of useful idiots. Corbyn has recommended that his Twitter followers watch the Russian propaganda channel Russia Today, which he has described as “more objective” than other channels. Never mind that Russia Today interviews actors who claim to be “witnesses” and invents stories — for example, that a Russian-speaking child was crucified by a Ukrainian.

When not describing Hamas and Hizballah as “friends” and declaring his “solidarity” with the regimes of Cuba and Venezuela, our Islington radical finds time to be a fearless supporter of taxpayer-funded homeopathy, which apparently “compliments ‘conventional’ medicine” because “they both come from organic matter.” 

And Tim Blair ponders the cultural and economic powerhouse that is taxpayer-funded interpretive dance: 

As Australia transitions from a mineral export-based economy to a dance-based economy, it is clearly important to make certain that the dance sector is as stable as possible. Choreographer Lucy Guerin told the [senate] hearings [into arts funding] that to do otherwise would risk us “eventually severing the future of artistic development in Australia and setting us back 30 years.” “It’s that serious,” she added, with all the gravity you’d expect from a choreographer addressing a bunch of senators.

Behold ye, wealth creation.

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